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1.06.2016

Whoo boy! Quite the Working Bibliography...

2016 is devoted to writing a longer research project. My initial bibliography for a project on horror culture in the age of digital diffusion is listed below. Feel free to send along any suggestions for texts and/or materials (films are purposely omitted here, though are in play for the project) that might fit the general terrain of what you see below!

Working Bibliography
Aarseth, Espen J. “Nonlinearity and Literary Theory.” The New Media Reader. Eds. Noah Wardrip-Fruin and Nick Montfort. Cambridge: MIT Press, 2003. 761-780. Print.
Asimov, Isaac. I, Robot. New York: Spectra, 2008. Print.
Bailey, Dale. American Nightmares: The Haunted House Formula in American Popular Fiction. Bowling Green: Bowling Green State University Press, 1999. Print.
Barker, Clive. “In the Hills, the Cities.” The Weird: A Compendium of Strange and Dark Stories. Ann and Jeff VanderMeer, eds. New York: TOR, 2011. 641-656. Print.
Barron, Laird. “Frontier Death Song.” Nightmaremagazine.com. Nightmare Magazine, Oct. 2012. Web. 6 Jan. 2016.
---. “Proboscis.” The Imago Sequence and Other Stories. San Francisco: Night Shade Books, 2007. 101-18. Print.
Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” Marxists.org. Marxists Internet Archive. N.d. Web. 17 Nov. 2015.
Berger, James. After the End: Representations of Post-Apocalypse. Minneapolis: University of Minnesota Press, 1999. Print.
Birkerts, Sven. “Terminal Reading: Into the Electronic Millennium.” Bostonreview.com. The Boston Review, 1993-2005. Web. 17 Nov. 2015.
Bolter, J. David. Writing Space: Computers, Hypertext, and the Remediation of Print. 2nd ed. New York: Routledge, 2011. Print.
Borges, Jorge Luis. “The Garden of the Forking Paths.” The New Media Reader. Eds. Noah Wardrip-Fruin and Nick Montfort. Cambridge: MIT Press, 2003. 29-34. Print.
Bradbury, Ray. The Martian Chronicles. New York: Doubleday, 1950. Print.
---. The October Country. New York: Morrow Reprints, 2013. Print.
Brown, Rick J. “The Puppet Show.” The Best of Horror Library: Volumes 1-5. Winchester: Cutting Block Books, 2015. Kindle edition.
Burnard, Lou, and Katherine O’Brien O’Keeffe and John Unsworth, eds. Electronic Textual Editing. New York: MLA, 2006. Print.
Bush, Vannevar. “As We May Think.” The New Media Reader. Eds. Noah Wardrip-Fruin and Nick Montfort. Cambridge: MIT Press, 2003. 35-48. Print.
Carr, Nicholas. The Shallows: What the Internet is Doing to Our Brains. New York: Norton, 2010. Print.
Carroll, Noël. The Philosophy of Horror, or Paradoxes of the Heart. New York: Routledge, 1990. Print.
Carvajal, Doreen. “Long Line Online for Stephen King E-Novella.” The New York Times 16 Mar. 2000. ProQuest. Web. 28 Dec. 2015.
Chandler, Daniel. “An Introduction to Genre Theory.” 1997. Web. 18 Nov. 2015. PDF file.
Cheever, John. “The Enormous Radio.” The Stories of John Cheever. 1st paperback ed. New York: Ballantine, 1980. Print.
Clover, Carol. Men, Women, and Chainsaws: Gender in the Modern Horror Film. Princeton: Princeton University Press, 1993. Print.
Coover, Robert. “The End of Books.” The New Media Reader. Eds. Noah Wardrip-Fruin and Nick Montfort. Cambridge: MIT Press, 2003. 705- 710. Print.
Cruz, Clarissa. “’Riding’ High.” Entertainment Weekly 533 (2000). LINCCWeb. Web. 28 Dec. 2015.
Delagrange, Susan H. Technologies of Wonder: Rhetorical Practice in a Digital World. Logan: Utah State University Press, 2012. Web. 17 Nov. 2015.
Dinelo, Daniel. Technophobia! Science Fiction Visions of Posthuman Technology. Austin: University of Texas Press, 2006. Project MUSE. Web. 18 Nov. 2015.
Foucault, Michel. The Order of Things: An Archeology of the Human Sciences. Reissue edition. New York: Vintage, 1994. Print.
Fraistat, Neil and Julia Flanders, eds. The Cambridge Companion to Textual Scholarship. Cambridge: Cambridge University Press, 2013. Print.
Frank, Pat. Alas, Babylon. New York: Harper Perennial Classics, 1959 and 2005. Print.
Freedman, Carl. Critical Theory and Science Fiction. Middletown: Wesleyan University Press. 2000. Print.
Gaiman, Neil. American Gods. Reprint ed. New York: Harper, 2002. Print.
Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York: Basic Books, 1991. Print.
Haraway, Donna. “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century.” The New Media Reader. Eds. Noah Wardrip-Fruin and Nick Montfort. Cambridge: MIT Press, 2003. 515-542. Print.
Harms, Daniel. The Cthulhu Mythos Encyclopedia: A Guide to H.P. Lovecraft’s Universe. 3rd ed. Lake Orion: ESP, 2008. Print.
Hayles, N. Katherine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: University of Chicago Press, 1999. Print.
---. How We Think: Digital Media and Technogenesis. Chicago: University of Chicago Press, 2011. Print.
Howson, Leslie, ed. The Cambridge Companion to the History of the Book. Cambridge: Cambridge University Press, 2015. Print.
Irwin, Margaret. “The Book.” The Weird: A Compendium of Strange and Dark Stories. Ann and Jeff VanderMeer, eds. New York: TOR, 2011. 183-191. Print.
Jääskeläinen, Pasi Ilmari. “Where the Trains Turn.” Tor.com. Tor.com, 19 Nov. 2014. Web. 6 Jan. 2016.
Jackson, Shirley. “The Man in the Woods.” Newyorker.com. The New Yorker, 28 Apr. 2014. Web. 6 Jan. 2016.
---. “The Summer People.” The Weird: A Compendium of Strange and Dark Stories. Ann and Jeff VanderMeer, eds. New York: TOR, 2011. 311-318. Print.
James, Edward, and Farah Mendlesohn, eds. The Cambridge Companion to Science Fiction. Cambridge: Cambridge University Press, 2010. Print.
Jenkins, Henry. Convergence Culture: Where Old and New Media Collide. New York: New York University Press, 2006. Print.
Joshi, S.T. and Schulz. An H.P. Lovecraft Encyclopedia. New York: Hippocampus Press, 2001. Print.
Kaplan, Matt. Medusa’s Gaze and Vampire’s Bite: The Science of Monsters. New York: Scribner, 2012. Print.
King, Stephen. Cell. New York: Scribner, 2006. Print.
---. Danse Macabre. New York: Everest House, 1981. Print.
---. “The End of the Whole Mess.” Nightmares and Dreamscapes. New York: Viking, 1993. Print.
---. “Graduation Afternoon.” New York: Scribner, 2008. Print.
---. The Gunslinger. Revised ed. New York: Signet, 2003. Print.
---. “The Lawnmower Man.” Night Shift. New York: Signet, 1977. Print.
---. Secret Windows: Essays and Fiction on the Craft of Writing. 1st ed. New York: Book-of-the-Month-Club, 2000. Print.
---. The Stand. New York: Doubleday, 1978. Print.
Kuhn, Thomas. The Structure of Scientific Revolutions. 50th anniversary ed. Chicago: University of Chicago Press, 2006. Print.
Lanham, Richard. The Economics of Attention: Style and Substance in the Age of Information. Chicago: University of Chicago Press, 2006. Print.
Lansdale, Joe. “Tight Little Stitches in a Dead Man’s Back.” Lightspeed.com. Lightspeed Magazine, Oct. 2010. Web. 17 Nov. 2015.
---. The Nightrunners. New York: Carroll and Graf, 1987. Print.
LeGuin, Ursula. “The Critics, the Monsters, and the Fantasists.” Rc.umd.edu. Romantic Circles, 2007. Web. 17 Nov. 2015.
Lessig, Lawrence. Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. New York: Penguin, 2004. Web. 17 Nov. 2015 PDF file.
Levin, Ira. The Stepford Wives. New York: Random House, 1972.
Liu, Ken. “The Algorithms for Love.” Kenliu.name. Ken Liu, Writer. 2004. Web. 17 Nov. 2015.
Lovecraft, H.P. “The Dunwich Horror.” The Weird: A Compendium of Strange and Dark Stories. Ann and Jeff VanderMeer, eds. New York: TOR, 2011. 159-182. Print.
Magistrale, Tony, and Michael A. Morrison, eds. A Dark Night’s Dreaming: Contemporary American Horror Fiction. Columbia: University of South Carolina Press, 1996. Print.
Mantooth, John. “Next Stop, Babylon.” The Best of Horror Library: Volumes 1-5. Winchester: Cutting Block Books, 2015. Kindle edition.
Martin, George R.R. A Game of Thrones. Reprint ed. New York: Bantam, 2011. Print.
---. “The Pear-Shaped Man.” Talesofmystery.blogspot.com. Web.
Matheson, Richard. I Am Legend. Reprint ed. New York: Tor, 2007. Print.
McCammon, Robert. Swan Song. New York: Pocket, 1987. Print.
McCarthy, Cormac. The Road. New York: Knopf, 2006. Print.
McGann, Jerome. Radiant Textuality: Literature after the World Wide Web. 1st ed. New York: Palgrave, 2004. Print.
McLarty, Lianne. “’Beyond the Veil of the Flesh’”: Cronenberg and the Disembodiment of Horror.” The Dread of Difference. Barry Keith Grant, ed. Austin: University of Texas Press, 1996. Print.
McLuhan, Marshall. “Challenge and Collapse: The Nemesis of Creativity.” Understanding Media: The Extensions of Man. New York: Signet, 1964. 72-84. Print.
---. “The Medium is the Message.” Understanding Media: The Extensions of Man. New York: Signet, 1964. 23-40. Print.
---. The Gutenberg Galaxy: The Making of Typographic Man. Toronto: University of Toronto Press. 1962. Print.
Miéville, China. The City and the City. Reprint ed. New York: Del Rey, 2010. Print.
Mitchell, Robert L. “Y2K: The good, the bad and the crazy.” Computerworld.com. Computer World, 28 Dec. 2009. Web. 27 Dec. 2015.
Mumford, Lewis. Technics and Civilization. Reprint ed. Chicago: University of Chicago Press, 2010. Print.
Nelson, Theodore H. “Proposal for a Universal Electronic Publishing System and Archive.” The New Media Reader. Eds. Noah Wardrip-Fruin and Nick Montfort. Cambridge: MIT Press, 2003. 441-462. Print.
Nightmare Magazine. The H-Word column. Web.
Ong, Walter. Orality and Literacy: The Technologizing of the Word. London: Routledge, 1988. Print.
Paik, Peter Y. From Utopia to Apocalypse: Science Fiction and the Politics of Catastrophe. Minneapolis: University of Minnesota Press, 2012. Print.
Padawer, Craig. “The Meat Garden.” The Weird: A Compendium of Strange and Dark Stories. Ann and Jeff VanderMeer, eds. New York: TOR, 2011. 867-875. Print.
Perrin, Andrew, and Maeve Duncan. “Americans’ Internet Access: 2000-2015.” Pewinternet.org. Pew Research Center, 26 Jun. 2015. Web. 27 Dec. 2015.
Poole, W. Scott. Monsters in America: Our Historical Obsession with the Hideous and the Haunting. Waco: Baylor University Press, 2011. Print.
Postman, Neil. Amusing Ourselves to Death: Public Discourse in the Age of Show Business. 20th anniversary ed. New York: Penguin, 2005. Print.
Prucher, Jeff, ed. Brave New Words: The Oxford Dictionary of Science Fiction. Oxford: Oxford University Press, 2007. Print.
Rabinowitz, Paula. American Pulp: How Paperbacks Brought Modernism to Main Street. Princeton: Princeton University Press, 2014. Print.
Seed, David. Science Fiction: A Very Short Introduction. New York: Oxford University Press, 2011. Print.
Sieber, Mark. “My Life as a Horror Internet Junkie.” Cemetery Dance. 70: 82-4. Print.
Sobchack, Vivian. Screening Space: The American Science Fiction Film. 2nd ed. New York: Ungar, 1988. Print.
Thacker, Eugene. In the Dust of this Planet: Horror of Philosophy. Vol. 1. Winchester: Zero Books, 2011. Print.
Turing, Alan. Computing Machinery and Intelligence. The New Media Reader. Eds. Noah Wardrip-Fruin and Nick Montfort. Cambridge: MIT Press, 2003. 49-64 Print.
Turkle, Sherry. Alone Together: Why We Expect More from Technology and Less from Each Other. New York: Basic Books, 2011. Print.
---. Life on the Screen. New York: Touchstone, 1995. Print.
Ulmer, Gregory. Internet Invention: From Literacy to Electracy.
Vandendorpe, Christian. From Papyrus to Hypertext: Toward the Universal Library. Urbana-Champagne: University of Illinois Press, 2009. Print.
VanderMeer, Ann and Jeff, eds. The Weird: A Compendium of Strange and Dark Stories. New York: TOR, 2011. Print.
Vogt, W. Paul, and Dianne C. Gardner, and Lynne M. Haeffele. When to Use What Research Design. New York: Guilford Press, 2012. Print.
Walter, Damien. “Transrealism: the first major literary movement of the 21st century?” Theguardian.com. The Guardian, 24 Oct. 2014. Web. 20 Nov. 2015.
Williamson, Jack. “With Folded Hands.” 1st Kindle ed. Dec. 2011.
Winter, Douglas E. “The Pathos of Genre.” Darkecho.com. Dark Echo, 2004. Web. 17 Nov. 2015.
Yu, Charles. “Standard Loneliness Package.” Lightspeedmagazine.com. Lightspeed Magazine, Nov. 2010. Web. 17 Nov. 2015.

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