
Lennie James (Morgan) and John Carroll Lynch (Eastman) had fantastic chemistry in this episode of rich re-awakening. Morgan's story seems to be ramping up in the television series--a welcome return to some of the humanistic pathos that might be lost if Glenn is, in fact, dead. The simple utterance of his children's names late in the episode--his almost grudging mumble of "Kenny and Dwayne" in the clear zone--was gut-wrenching; it really speaks to the series' innate ability to take the simplest moments and make them utterly profound.
Eastman is a fantastic character. The embedded narrative concerning the loss of his family was harrowing and heart-breaking, and the close-up on his funeral marker served as a stylish reinforcement of this episode's central epiphany: It's about people. Without people, there's nothing.
I liked it a lot. It's my favorite episode of the season, and the best I've seen in a long while. I've seen it savaged on the Internet this morning, and I disagree that this one didn't need ninety minutes. In fact, there was no wasted time here--no narrative navel-gazing. I think Morgan's influence on the arc of this series is going to be vital, and I feel that the show's producers did the audience a great service in slowing things down, going back to "then," and showing a man's transformation in the face of that brutal environment.
I'm sad that Eastman was only in the show for a single episode, but my--what an episode it was!
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